Review of Radical
Jesus: A Graphic History of Faith
Paul Buhle, Editor
Sabrina Jones, Gary Dumm, Nick Thorkelson, Artists
Paul Buhle is one of the most prolific and insightful
critics from the American left. While
his topics at first glance appear incredibly eclectic, closer reading uncovers
a sharp focus that thoughtfully challenges class disparity, racism, and
imperialism in the United States and throughout the world. The breadth of his work, even if you consider
only his collaborative graphic titles, is mind-boggling as the topics include Che,
Yiddishkeit, SDS, the Wobblies, Emma Goldman, FDR, the Beats, and Isadora
Duncan. And now, in collaboration with
artists Sabrina Jones, Gary Dumm, and Nick Thorkelson, comes Radical Jesus: A Graphic History of Faith.
Like Buhle’s prior writings, Radical Jesus investigates the inequalities that exist in the
world, historically and presently, but this time through a theological
lens. After an introduction, the
sections of the book are “Radical Gospel,” “Radical History,” and “Radical
Resistance.” As a focus for reading the
book we can assume that liberation theology began with Jesus and carries on at
the present time. Each section is
illustrated by a different artist but is pulled together by both content and
style. As Buhle explains in the
Introduction: “The book has been designed with a purposeful color progression
from black and white in the first section, to a color choice reminiscent of the
illuminated texts of the Middle Ages, to the full color of modern times.” Combining substance and style, the drawings
and text constantly switches between social issues of the past and the present. Interviewed by a reporter for the Brown
University newspaper, Buhle said that he wrote the book for the young people involved
in the Occupy Movement.
Oh, let’s say I was speaking to those young people. I’m not
a person who goes to church. But I was speaking to those young people and to
others who were looking for some alternative, there’s one page in the comic
that says no to either passivity or violence. For some other way to respond to
the crises, and you know, Americans by and large, still, have this religious
thing, this mystique. It’s good to think of a way to speak to them in this
fashion.
There
are numerous poignant frames in Radical
Jesus – below are some samples. With
stark black and white graphics page 23 in the “Radical Gospel” section, by
Sabrina Jones, begins with a priest looking at a dead man lying in the street,
“unclean – better keep away!” Another
priest does the same but then comes the Good Samaritan who helps the man who
isn’t dead – who is the Christian.
Stories of Jesus and class disparity continue in this section with a
distressing sequence on preaching and religious leaders on page 35, “They preach
– But they don’t practice.” Reminiscent
of of Bishop Tutu’s story of Europeans coming to Africa: “We had the land and
they had the bible. Then they said, ‘Let
us pray.’ And we dutifully shut our
eyes, and when we said amen at the end and opened our eyes, why, they had the
land and we had the bible.” But of
course Bishop Tutu said much more.
Corresponding to Radical Jesus:
This God did not just talk… He showed himself to be a doing
God. Perhaps we might add another point
about God – he takes sides. He is not a
neutral God. He took the side of the
slaves, the oppressed, the victims. He
is still the same even today; he sides with the poor, the hungry, the
oppressed, and the victims of injustice.
Gary Dumm did the “Radical History” section of the book with
Laura Dumm and others. This section
tells the story of dissent beginning in the 14th Century and
concluding with the abolitionists. John
Wycliffe, the Anabaptists, Quakers and the Grimke sisters are introduced with
many other people who challenged church hierarchy in the name of social
justice. On page 63 Buhle collaborates
with Dumm on a story called “Escape from Galley Slavery.”
Some martyrs were burned at the
stake, others were drowned, decapitated, had their tongues ripped out, or their
mouths filled with gunpowder. To go to a
violent death with cold determination or even good cheer was to prove to all
present that the believer placed ultimate trust in God’s judgment.
However, these executions were ultimately cynical and class
disparately vicious.
French and Belgian royal courts
sometimes offered ‘banquets’ for the intended victim the day before the
execution. In the city hall, the accused
would be compelled to take the seat of honor between the mayor and a local
religious leader while being mocked and offered expensive food and wine.
Many a martyr refused to eat or drink!
The last pages of “Radical History” speak to the Quakers in
Pennsylvania losing the fight for Indian rights. Two frames appear on page 85 with the first
showing Quaker representatives in the Pennsylvania Assembly resigning and
walking out of the chambers in protest of oppressive actions to attack
Indians. The second frame, titled “What
was Lost,” depicts people in a living room watching a baseball game between the
Philadelphia Quakers and New York Iroquois – shades of Howard Zinn history.
The 39 pages of the book’s last section, “Radical
Resistance,” is thick as the art of Nick Thorkelson and the text speak to the
many more modern quests for social justice through questions/statements of a
grand diversity of people on-the-ground testifying at a faith-based
meeting. The courage of abolitionist
Sojourner Truth is portrayed in a story called “Steal Away: Abolitionism and
Black Freedom.” We meet those who fought
for civil rights in the United States like Rosa Parks, Ella Baker, Martin
Luther King, Ralph Abernathy, Fred Shuttleworth, Bob Moses, and many people
whose names we don’t know. The New Jim Crow is portrayed on page
104 with Reverend Jeremiah Wright connecting the incarceration of blacks in the
United States with the plight of Jesus. On
Reverend Wright: “A prophetic voice much maligned in the mainstream media but
cherished by the thousands of black churches allied against mass
incarceration.”
“Radical Resistance” also tell us of Dorothy Day and Peter
Maurin’s Catholic Worker movement as a lead into the anti-war actions of the
Berrigan brothers – liberation theology and the work and political
assassination in El Salvador of Archbishop Oscsar Romero. All of these accounts of activism conclude
with stories of people that we have never heard of that fight for social
justice in both their communities and throughout the world – and there lies the
‘mission’ of Paul Buhle and his collaborators in Radical Jesus. Buhle writes:
The radicalism of Jesus has nothing
to do with men hoarding guns against the imagined threat of black helicopters,
or bearded fanatics burning down schools for women. Instead, Jesus goes to the roots of assorted
hatreds – not only our destructive exploitation of humanity but also our
plundering of creation. All of life is
endangered and we cannot afford these hatreds running rampant much longer.
Radical Jesus is a
book that provides the stories of models, teachers, for the young people for whom
Buhle says the book was written. The
book’s portraits, graphics and text, are thoughtful, powerful, and are
important not only for young activists, but rather for all of us who
thoughtfully work for social justice.